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★★★★★
A sleeper of astonishing colour and beauty
"The Man Who Cried" is a feast for the eyes and ears alike. One recent review called it "the art-house companion to Moulin Rouge," and that doesn't seem too far off. The film begins with Fegele and her father in 1927 Russia, with a beautifully photographed game of hide and seek. Fearing for his family's safety, her father sends her away to America, but Fegele ends up in England by mistake, is renamed Suzie and is raised by a grim British couple. The scenes of the Russian shtetl are grim, and colour truly doesn't become pronounced until we see the cabaret shows of Paris, the gaudy costumes and headdresses and the opera sets.
Suzie (Christina Ricci) runs into fellow showgirl Lola (Cate Blanchett) and the two room together, locking horns over Italian sensation Dante, the main draw at the theatre, who also happens to be a fascist. Lola gets her way and her man. Enter one very mysterious, brooding Gypsy horseman (Johnny Depp, reprising his role from Chocolat) who captures Suzie's heart. This entire whirlwind of music, passion and drama occurs on the eve of World War Two, and Suzie is in danger of being discovered as Jewish.
The cinematography is gorgeous, with washed-out colours in Russia, beautiful cityscapes of Paris (especially the bike/horse chase at night!), gaudily bright costumes and opera sets, the exotic colour, music and flair of the Gypsy camp and costumes. The colour brings to mind the brilliant Technicolour prints of the earlier days, with vibrant, surreal colours.
The soundtrack is equally stunning, with contributions by newcomer Italian tenor Salvatore Licitra, the Kronos Quartet, the Gypsy ensemble Taraf de Haidouks, and Czech songstress Iva Bittova providing the voice for Christina Ricci. The operatic selections by Bizet, Puccini, Purcell, and Verdi are balanced by original score (the stunning "Close Your Eyes" is the most beautiful song in the movie) and frantic Gypsy music. Bittova's "Gloomy Sunday" is a delightful study in atmosphere, and appropriately sets the tone for an onscreen event near the end of the film.
"The Man Who Cried" is an unusual, beautiful, and touching glimpse at a decadent Europe on the brink of war, the vibrant Gypsy culture, the Jewish shtetls of Russia, and the world of opera, all intertwined with romance and connections to the past.
April 2002 · Movies and TV