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and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. The above passage from the Bible's Book of Revelations is the source of the title of Soviet director Elem Klimov's grim, powerful vision of war and death: "Come and See". The apocalyptic nature of the title is all too relevant as Klimov portrays the Wermacht (in conjunction with the S.S. and groups of collaborators) as the harbingers of the apocalypse who kill with sword and with hunger and with the beast of the earth. The audience serves as the witnesses called upon to behold the devastation. Come and See takes place in occupied Belarus (loosely translated as "white Russia), a former Soviet Republic that shares a western border with Poland and a southern border with the Ukraine. Belarus was overrun shortly after the commencement of Operation Barbarossa in June 1941 and not liberated until July 3, 1944 the day Minsk was retaken by the Red Army. The film follows Florya (played remarkably well by thirteen-year old Alexei Kravchenko), a young teen eager to join the Partisans. The partisan movement was particularly successful in Belarus and their actions have been the stuff of legends and no small amount of pride since the war. At least 40,000 civilians joined the partisans, including hundreds of Jews who fled the holocaust in Poland to join the resistance movement in Belarus. After digging up a rifle, the only requirement for enlistment, he is taken from his village and his crying mother and little sisters in his best Sunday suit to join with a band of partisans operating out of a wooded marshland near his village. Eager to fight, Florya is disappointed when he is left behind with Glasha, a cute young girl who pines for the Partisan's commander. They fall prey to a German attack and Florya finds himself partially deaf from the bombing. They make their way to his village where they find that Florya's family, along with the rest of the village, has been murdered in cold blood. Thus begins Florya's descent into a state close to madness. His journey from the village takes him on a tour of a countryside rendered devastated by the war. He is taken in by a farmer only to find that the village is about to be visited by the Germans. Florya is the only one with a sense that they are about to be exterminated and, sure enough, the soldiers with the willing help of local collaborators, the townsfolk are loaded into a large barn and killed. The scenes of the slaughter are horrifying both for the visual portrayal of grenades and flame throwers killing old men, women, and children and for the glee with which the executions are performed. Keep in mind that the horrors I just described are not shown to the viewer in any great detail. Rather, they are felt, and that feeling, that sense made a deeper visceral impression on me than scenes of blood and gore. Florya's descent continues until a harrowing closing scene. There is nothing pretty about the violence, about the death and destruction that permeates Come and See. Nevertheless, it is clear that Klimov is not taking poetic license or exaggerating the horror of war visited upon the civilian population of Belarus. Belarus suffered three million casualties during the war and of the towns and villages destroyed during the fighting at least 450 of them were intentionally destroyed by the Germans, their inhabitants along with them, in retaliation for Partisan actions. Klimov's Come and See is as good a testament to the times the people of Belarus lived through as any monument of bronze or marble. This is a must-see film. L. Fleisig