Bests & Worsts Reviews from Amazon

For several years, I stayed up well past 2am on Saturday nights hoping to catch reruns of the classic, full SNL shows from 1975-1980. NBC was re-airing some of these great programs in their entirety (not "best of" packages) with few exceptions, starting in the late 1990s in most NBC outlets. Unfortunately, the original cast shows were the exception and the Dana Carvey and/or Will Farrell years were the norm. After several years, I managed to videotape about 25-30 original cast shows, but only about 4 from the first season. Younger audiences unfamiliar with the original SNL will likely be surprised by a number of things in viewing this great collection. Firstly, for those of us who remember, SNL was the most weird and cutting-edge show to be found in those days. The concept of "late night" television was certainly not then what it is today either. There really is no "late night" anymore, what with hundreds of cable/satellite channels and the Internet to keep us entertained around the clock. In the '70s, however, late night was a wasteland of old movies and reruns. Most stations ended their broadcast day by about 1 or 2am (for the tech-geners, this means the three network stations, one public station and typically about 3 or 4 local stations). As far as the networks were concerned, Johnny Carson owned the airways after the local news; this was literally true in many ways. Although not on air during the weekend, Carson Productions was quite a powerful entity, owning many weekend program slots. Beyond local news & the Tonight Show, there was little interest in developing a "late night" program. Secondly, SNL had huge shock value for a culture that wasn't used to seeing risqué material paraded constantly on broadcast TV. For that stuff, most of us had to go to the movies for "un-edited" material. VCRs were not yet in every household and cable was only available in limited format in markets like New York. In the culture that was then, SNL's impact was enormous, providing essential "water cooler" chat on Monday morning. It was what people stayed home for on Saturday nights. It was really the only "hip" show on TV. The Not Ready for Primetime Players were a product of the counterculture 1960s. Much of their humor - especially the now surprising amount of drug references - will seem not only brazenly un-PC (thank heaven!), but incredibly raw for those used to the, ironically, structured and institution-ized nature of the show today. In this sense, the first season shows will not only appear dated, but also register way over-the-heads of most younger viewers. SNL has always been and always will be a victim of instant-datedness, in large part due to one of their greatest attributes: topical comedy. Even some of us still familiar with the pressing issues of the 70s may have a hard time remembering every reference! These earlier shows are also striking in their experimentation. The format we now know & love was at least two seasons in the making. The cast themselves were not considered as the main draw, amazingly enough, and their presence in the first few shows is remarkably sparse. In fact, the second episode is largely music-oriented. Many creative techniques were tried, and some fail miserably. Watch how poorly Abba (although a good performance) are incorporated into an already-in-progress Robert Klein skit. Fast forward past the Muppets if you will...or, if you found them humorous & innovative, as I did, marvel at Jim Henson's shocking (for him anyway) use of drug-related humor! No matter what the result, it's great to see a show daring enough to explore such diverse elements of entertainment, from short films, stand-up comedy, audience participation, to the even occasional use of dramatic device & pathos in the skits. All these things are largely verboten on the show today. Fondly remember a time when often obscure musical guests were chosen for their performance chops and uniqueness, and rarely their pop status, let alone how well they could lip synch (oddly this was not completely true with Abba...but that's a long story!). And of course, relish forever the genius blend of Chase, Belushi, Aykroyd, Radner, Curtain, Newman and the unsung Garret Morris.