225
people found this helpful, as of 2023
ranked #134,959 most helpful
out of 571,544,897 reviews
★★★★★
Clear, Easy to understand, Practical applications
I have been playing on and off for about 10 years. I have read fretboard theory books before, the CAGED system included, jazz comping, and numnerous books on Modes. I can honestly say not one of them explain the application as well as this book (and videos).
Most of what Serna teaches you probably have seen before; but what is unique about this material is the application. I dont know how many times before in other material the CAGED system, pentatonic scale, and modes have beenn disussed but never applied with actual examples. This course ties it all togther. At least it did for me. For the first time ever, I understand how modes are actually used and which are common and which are rare. Try finding that info in any other course - never happen.
Throughout the course Serna provides examples from the book and videos of how to apply what you have learned from actual songs you have heard on the radio etc.. Although he makes no attempt to teach the entire song, he gives you the understanding to figure it out yourself; so if you want to be told where to put your fingers to play a particular song this is not your book/course. If you want to learn and be able to figure things out, this course should be very helpful. It has been for me at least. Also, I think he does not reproduce entire songs ver batem because the music industry is closing down sites that directly reproduce artist intellectual property. That is why all the courses are now teaching methods "in the style of... Jimi Hendrix etc".
I play electric blues. I make no attempt to play top 40 cover tunes so my goal is to learn my own style for myself so I need to understand what I am doing and how to figure things out. Without a doubt this book (and videos) has accomplished more in the last month than almost all the other material combined because for the first time ever it "connected the numerous dots" that other courses have failed to do. For example I never fully understood how the pentatonic patterns, both major and minor, tie in to the CAGED system as well as the arpeggio form of the chord.
I do not recommend the course for beginners that do not know too many chords or progressions yet. Also I do not recommend it for those who simply want to "play" without understanding the underlying theory.
May 2008 · Books