Bests & Worsts Reviews from Amazon

Pros: Low cost; nice build quality; excellent sound; cool, open-back comfort plus breathable pads; replaceable cord Cons: Non-replaceable ear pads; somewhat uneven treble response (can be corrected, read further) These headphones are a real treat for the price. They should sell at a significantly higher price than they do now, but are available at low prices only because they are being discontinued (not official yet, but apparently they are). I am a headphone enthusiast and own numerous headphones many of which are more expensive than the Philips SHP9500. Among them, the closest contender to the SHP9500 in many ways, including price, may be Audio Technica ATH-TAD500, which I highly regard as well. In fact, adding the venerable Sennheiser HD 518, I judge these three headphone models are the best, full-size, open headphones that can be had under $100 on the market now. These models have their own strengths and weaknesses. But my favorite is the SHP9500 and there are reasons. First, I consider the SHP9500 as one of the most comfortable full-size headphones at any price. When it comes to headphones, you do not want to ignore comfort in your buying decision. To me (and to many, perhaps), it is THE most important element, if wearing them for at least an hour is what you use them for. Some headphones are unbearable even for 15 minutes. Why is the SHP9500 so comfortable to wear? They are *light* for full-size cans, have *no* pressuring (self-adjusting) headband, have less clamping force, and most importantly, *open to outside* not to jack up temperature at your ears. Keeping temperature down by making ears breathe air is, in my opinion, is the most important, yet not well appreciated, reason why you need open headphones for extended use. In the case of the SHP9500, even the ear pads breathe, something that not all open headphones feature. This excessive openness sacrifices some of its sub-bass performance, but I would trade any day (and advise people to trade) sub-bass for comfort. The sonic character of the SHP9500 is midrange-centric, I would say, but extends quite well to bass and treble ranges. Treble is somewhat uneven and accentuated. If you are a classical music lover, you will be most likely pleased. If you are a bass head, this is not for you. If I am asked to compare the SHP9500 to more expensive, sonically better designed headphones such as Sennheiser HD 600, HD 650, or Sony MDR-MA900 (the Sony is also my favorite due to its outstanding comfort), I would rate the SHP9500 a notch below them in terms of pure sonic balance. However, unless you are an extremely discerning listener of classical music (which I am, unfortunately), I would not like to recommend those higher priced products, whose prices, I think, are somewhat above a common-sense range for most people (except enthusiasts). So, here I am sharing my experience as an enthusiast who does not have common sense ^^ These headphones are also one of the best choices for use with a digital piano. In fact, I purchased these for my son’s piano practice. Why best for digital pianos? The first reason is same as above: Comfort. Practicing on a digital piano requires extended use, so comfort is critical. Second, the SHP9500’s low to high audio frequency responses are balanced enough for such use---you will be hard pressed finding headphones under $100, including closed-back headphones, with this good balance. Third, most digital pianos have headphone jacks with high output impedance. In such cases, relatively flat impedance across the audible frequency band is important in order not to modulate the headphone’s frequency response. The SHP9500 satisfies this requirement. Last, the headphones are sensitive for any digital pianos to generate sufficiently loud sound. So, grab a pair when they are still available! One drawback of these headphones' design is that ear pads are not replaceable, but I think the low price can easily offset this weakness. I knew it, of course, when I made the purchase. You may think differently, but in my experience, replaceable pads are not critical. On the other hand, one strong point of the SHP9500 is that you can replace its cord with *any* 3.5mm stereo male to male cable, the most common and inexpensive type of audio cables these days. Cable problems are quite common in headphone usage. So, having this feature is nice. If you have very discerning ears but are on a budget, here is one way you can improve the SHP9500's audio balance. It works best if you use them on a PC or a smartphone. Using digital equalization (EQ) is the solution. Let EQ be your friend! Do not be afraid of using EQ, especially in this era of highly reliable, digital signal processing. When properly applied, EQ presents absolutely no sound degradation, only improvement. The EQ setting for the SHP9500 suggested below can only be implemented through parametric EQ apps. They are Equalizer APO (on PC), Electri-Q (on PC through VST wrapper), EasyQ (on PC through VST wrapper), Rockbox (on some MP3 players), Audioforge Equalizer (on iOS), Accudio (on iOS; custom EQ mode), Capriccio (both iOS and Android), Onkyo HF player (both iOS and Android). If you use a PC as a source, I highly recommend Equalizer APO. It applies EQ to system sound so that you can enjoy all contents including YouTube materials in equalized audio. Parametric EQ uses three parameters: Fc (center frequency), Gain, and BW (bandwidth). In the EQ setting below, note that the third parameter is denoted by both Q and BW, which are essentially the same parameter on different scales, so care must be taken to enter right values. If you use Equalizer APO, Rockbox, or Audioforge Equalizer, enter Q values; if you use Electri-Q, EasyQ, or Accudio (custom mode), enter BW values; if you use Capriccio, enter 12 times BW values; if you use Onkyo HF player, read further. EDIT: an optimal EQ setting has been updated (as of 6/28/19). The old setting has been moved to the bottom. Global Gain (also called Preamp, Precut, or Pre-Volume): -2.0 dB Filter 1: Fc 40 Hz Gain 2.5 dB Q 0.8 / BW 1.7 Filter 2: Fc 200 Hz Gain -3.0 dB Q 0.5 / BW 2.5 Filter 3: Fc 1900 Hz Gain 2.5 dB Q 2.0 / BW 0.7 Filter 4: Fc 3300 Hz Gain 3.5 dB Q 4.8 / BW 0.3 Filter 5: Fc 5000 Hz Gain -7.0 dB Q 2.0 / BW 0.7 Filter 6: Fc 7400 Hz Gain 4.0 dB Q 4.8 / BW 0.3 Filter 7: Fc 10500 Hz Gain -5.0 dB Q 1.8 / BW 0.8 I strongly recommend adjusting the Gain level of Filter 7 to make the treble sound to your liking (my suggested range is -8 to -1 dB). I also attach below a picture of the above EQ’s transfer function (the effect of EQ on a frequency response graph). If you use Onkyo HF player, simply make its EQ graph same as shown in the picture. --------------------------- OLD SETTING Global Gain (also called Preamp, Precut, or Pre-Volume): -2.0 dB Filter 1: Fc 40 Hz Gain 2.5 dB Q 0.8 / BW 1.7 Filter 2: Fc 200 Hz Gain -3.5 dB Q 0.5 / BW 2.5 Filter 3: Fc 1900 Hz Gain 2.5 dB Q 2.0 / BW 0.7 Filter 4: Fc 3300 Hz Gain 3.0 dB Q 4.8 / BW 0.3 Filter 5: Fc 5000 Hz Gain -6.5 dB Q 2.4 / BW 0.6 Filter 6: Fc 7400 Hz Gain 4.5 dB Q 4.8 / BW 0.3 Filter 7: Fc 11000 Hz Gain -7.5 dB Q 1.4 / BW 1.0