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★☆☆☆☆
SOS Indeed
First off, I'm very glad that I got this from the library and didn't waste my money.
This book hardly justifies a 12 year wait for some fans. 3 years, in my case. It's boring, repetitive, and doesn't even offer anything significant to justify its incredible length.
What about all the buildup, the incredible conflict we expected? What about Zolena, Jondalar's former lover, being a possible factor between Ayla and Jondalar? Nope, she has to be incredibly fat and thus sexually undesirable, an effectively neutered woman. Jondalar's former fiancee is portrayed as completely rabid and malicious, when she's more than entitled to a little resentment of Ayla and Jondalar. The man *jilted* her, after all. But no, if you dislike Ayla, that makes you rotten to the core.
The Zelandoni prejudice against the people of the Clan that we were all so afraid of? Dealt with in one tiny scene wherein all Zelandoni are ooing and ahhing over Ayla's sign language. Give me a break. That's disgustingly unreal, and a disgrace after all the hype about it for the past three books.
The "villains" are cardboard stereotypes. Those who aren't immediately enthralled by Ayla we *surprisingly* find are bad, evil people. I'm in mind of Frebec from "MH" here...he was a fully developed quasi-villain whose transformation was within the realms of belief. No such luck here. They're totally bad and have the utter gall to try and humiliate or hurt dear Ayla.
Ayla makes no faux pas, saves every situation with perfect panache, enchants everybody despite her having been raised by (and having had sex with) "animal flatheads". (Which everybody conveniently accepts despite long-standing prejudice that's been harped on for the past three books.) In fan fiction there is a word for a beautiful, incredibly talented, and universally liked perfect young woman. It's a "Mary Sue", and it is not a complimentary term.
Ayla's lost all depth she had in "Cave Bear" to become the original Cro-Magnon Mary Sue, perfect in every way. Every Paleolithic (and some Neolithic!) innovation can apparently be traced to her somehow: the atlatl (spear thrower), iron pyrite as a fire striker, animal domestication, the needle, the concept of conception via sexual intercourse being just a few.
I'm just waiting for her to invent the wheel. Though she probably will as First Among Those Who Serve the Mother (come on, you know she'll have the spot soon enough.) I much prefer the uncertain, definitely flawed and definitely human Ayla of "CotCB" instead of this prissy, power-hungry, perfect and boring woman. Give us a normal woman with fears, flaws, and all, instead of this laughable, inane Super-Ayla.
Jondalar is also disgustingly perfect, though he's basically just Ayla's stud and bodyguard. I'm also amused by the fact that the copious, purple-prosed love scenes seem to portray him as merely a one-trick pony. (So much for his prowess in the furs). This increasing trend towards nauseating perfection has annoyed me slightly since it began in "VoH" and has increased steadily with every book. Perhaps Thonolan should have survived that cave lion attack in Jondalar's place...
The characters have become cardboard, mere shadows of what they could have been, should have been. What they were promised to be when we first met them and they enchanted us. Many good books have been ruined with multiple steadily more awful sequels. Laurie R. King's "The Beekeeper's Apprentice" is one. "The Clan of the Cave Bear" is another. Ms. Auel should have left it at the end of "CotCB" and been remembered for that splendid masterpiece instead of cranking out ever worsening tripe *ad nauseum*, justifying it by, "It continues the storyline."
How about Ayla being an outcast from Zelandoni society because of her past? How about that causing strife with Jondalar, torn between love and his people? That was the book we should have received, the book that previous volumes promised us. Instead we find the couple happily married and accepted, with unquestioned incredibly high status, showering benevolence and help upon all who are needy. Is this supposed to be a parody, a farce?
This book has no conflict. This book has no action. This book has positively no character development. This book practically deconstructs any good done in "CotCB" and "VoH". In fact, this book has absolutely *nothing* to justify spending 28 dollars and 12 years of anticipation. Any first-time writer sending this in would be firmly rejected and laughed at. "SoS" indeed--very apt. Send out the distress call and load the lifeboats, because this one plummets to the bottom fast under the weight of its own bloated self-importance. A solid F.
October 2002 · Books