Bests & Worsts Reviews from Amazon

It was with some trepidation and annoyance that I found myself plunking down more hard-earned money for my fourth copy of Buster Keaton's immortal silent comedy,"The General." I am pleased to report that the investment was a worthy one. The public domain versions of this film are undeserving of comment and should be avoided at all costs. I made the misfortune mistake of buying one of these hack jobs first and was rewarded with a poor transfer with completely inappropriate music. I then purchased the double feature of "The General" and "Steamboat Bill, Jr." offered by Image. The picture quality was greatly improved in regards to clarity and contrast. My personal complaint regarding the Image version is the musical accompaniment provided by the Alloy Orchestra. Clanky and mechanical, their score is more a cacophany than a symphony and works against, rather than complements, much of the action in the film. Next, I procured Kino's original version of "The General", which, to my disappointment, was softer and less sharp than the one offered by Image. It does feature a more pleasing score by Robert Israel. This brings me to Kino's updated and restored version, and I can affirm that my quest for the best version of this film has come to an end. Why go into such nauseating detail regarding the purchasing process? For one, it demonstrates how much I appreciate this film and how important it is to obtain it in its preeminent form. I also hope it will convince those mulling over the different available versions of this film that the Ultimate 2-Disc Edition is the version to buy. Other reviewers have mentioned the techniques used to restore the film, and it is indeed the most lustrous version I have seen. The nighttime sequences are suffused with a rich dark blue, and the sepia tone used give this version the appearance of a Matthew Brady daguerrotype more than ever before. Special mention should be made of the three musical scores. Robert Israel's orginal score has been retained, and a fine organ score by Lee Erwin is also an option. But for my money, the film is best enjoyed with Carl Davis' 1987 score for Thames Television. Those familiar with his scores for "Ben-Hur", "The Crowd", "The Big Parade", and many others know how he can elevate the emotion of a silent film. He does the same here, interweaving distinctly Amercian music that works perfectly. As for the film itself, it is not mere hyperbole to state that it is one of the undisputed masterworks of American cinema and not just the silent period. It was derided by the critics of its age as not being funny. To be honest, it's not funny in a conventional sense, rather it is sublime. Some have criticized Keaton's film as too mechanical, but there is always an insistent humanity fighting against the mighty contraptions Keaton is laboring to free both himself and the woman he loves from. "The General" is in many ways a cinematic obstacle course. The first half finds Johnnie Gray being deprived of his two loves: Annabelle and his locomotive. He has to negotiate all manner of hardships in order to be reunited with both of them. The second half has him fleeing for home and employing the same sorts of means to discouarage his pursuers that were once used against him. In terms of narrarive, chronology, and geometry, "The General" is a mirror image. It is also a film that must be watched closely and patiently in order to be fully appreciated. Beause of this, it merits repeat viewings and provides new insights each time. It is a film for the ages that has at last received the proper format to be fully enjoyed and appreciated.