508
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ranked #35,347 most helpful
out of 571,544,897 reviews
★★★★★
The most spectacularly fundamental action film of all time (Critics go home!)
While war and violence are morally wrong in the abstract human philosophies, shifting cultural sensibilities, and our (USA) pampered day to day existence, It is still part of who we are and it seeps out through our art into our society. We are the way God made us or how we evolved biologically, depending on your views. Either way, we are a violent species. Even if that is lost in the day to day world we live in, there is still an appetite for it. Our art, video games, TV, media, and films serve it up. Since the critics are not artists it is hard for some of them to see the truth of this film and many others released in recent years. Their tunnel vision, sour grapes, or just angry twisted lives make many of them compelled to spit vile upon anything visionary, or even just decent. I have grown tired of reading angry reviews where the reviewer writes as though he or she knows better and almost seems to pity us ignorant peons, lemmings, or what even the hell they consider us to be. Myself, my family, and my friends are not idiots and no where, except perhaps with people who rarely see films, are such conceited, self-important, and egotistic views represented by the people I know within the word I live. This film was great, pure and simple. It will be remembered as a great action film long after the drivel action of the day is forgotten.
300 holds you in it's grip from second one to the last scene. It is the sublime beauty of war that Joseph Campbell mentions in his works. Frank Miller has been an artist I have admired since I was a young boy. He has quietly been working away for the last several decades with no huge critical juggernaut coming down on him and suggesting he is pandering to any political dogma of the day. Now that the film is made, which is as close an adaptation as any author could hope for, the liberal critics are there, striking away at a work that spoke to Miller as a child. To suggest any political significance is reaching beyond ones wildest dreams. Real artists do not push political dogma, they represent what is in their soul and hearts. These news paper pandering nancy boys have nothing better to do than regurgitate hogwash in such a backwards fashion that even they themselves are just running in circles and making no real headway with what ever it is they think they should be doing to better this world. 300 is a film not a political movement. To criticize it as if it could convert people into middle East haters is just stupid. The Middle East and the USA do just fine gathering up enemies and haters all on their own. One small film, even one that would be an overt outright bash on either the East or the West would not sway the masses more than a drop in an ocean either way. To point out black and white racist overtones not intended is racist itself.
As grand and spectacular as 300 is, it's still just entertainment for popular culture. It's stylized so much that to speak in terms of historical accuracy is just silly. Too many films of our times have passed themselves off as pseudo documentaries in order to effect some kind of cultural awakening or change when all they do is preach to the converted. Films are made in so many ways and varieties that it is just as amusing to watch the critics scramble between "Norbit" and "Flags of our Fathers" and all the while trying to maintain some level of intelligence rather than just reviewing films each on it's own merits for what it is and who it's trying to reach. Since so many films these days seem to annoy the critics I often wonder why they are film critics at all. They seem more suited to be writing angry complaint letters to companies about some busted back yard sprinkler. I want reviews, not angry critiques!
Go away critics. You are not wanted. You are not needed. You are a sorry pitiful lot.
A critique for the critics by a true film goer and viewer.
March 2007 · Movies and TV · verified purchase